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How to Buy Wholesale Disposable Cameras
Wholesale disposable cameras are disposable cameras bought in quantity. Bulk disposable cameras are the best single-use camera deal online. If you really want to save money, disposable digital and disposable film cameras can be bought wholesale, in quantity. This is a great idea for many events such as weddings, where they can be provided as a table favor for each guest to have fun with at the reception. One company offers these for $11.95 per camera (this is for a quantity 20 or more and includes the cameras, the processing, place cards and instructions for the place settings and it also includes a free photo web site). In general, a higher quantity will allow for a lower item price. Wholesale disposable cameras or bulk disposable cameras usually offer 27 exposures and 400 to 800 ASA film speed. They sometimes come with a flash, and may be for indoor/outdoor use. Sometimes cameras come with images imprinted on them, and this external decoration (which does not affect the performance) can affect the price. Look for out-of-season images, such as an American flag in December or a Christmas tree in July. Even disposable cameras with many features can be had for good prices if bought in bulk and/ or wholesale. For example, a re-loadable underwater sports camera with a flash, 27 exposures and 400 ASA speed can be found for under $5 if bought in bulk (25 or more). There are many sources online, such as eBay. When ordering, it is a good idea to keep an eye out for, outdated, short-dated, or re-used cameras. There are many options available through wholesale; buy bulk disposable cameras to get the very best price for many occasions such as weddings, bar/bat mitzvahs, holidays, New Year's, school proms, retirement dinners, business events, conventions, reunions, dances ? the possibilities are endless. Disposable Cameras Info provides detailed information about digital, wedding, and underwater disposable cameras, as well as cheap and wholesale disposable cameras. Disposable Cameras Info is the sister site of Underwater Cameras Web.
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RELATED ARTICLES
Photography - Rules of Composition Composition is defined as the combining of distinct parts or elements to form a whole. In photography that definition is very important in taking quality pictures. The following rules of composition should be learned and considered but not necessarily used in every photo. Once you have learned these rules you will be more observant of the possible photo opportunities that surround you. But keep in mind that the really famous photographers usually find a creative way to stretch or break the rules of composition. How to Buy Wholesale Disposable Cameras Wholesale disposable cameras are disposable cameras bought in quantity. Bulk disposable cameras are the best single-use camera deal online. If you really want to save money, disposable digital and disposable film cameras can be bought wholesale, in quantity. Photography 101 Part 1 Photography 101 Travel and Scenic Photography 101 When you're driving through the mountains somewhere, and you notice a car parked half off the road and some guy leaning to the left to avoid a branch with his Rebel 2000 camera in the act of focusing, you've met me. I do this because, to me, a trip isn't fulfilling unless I've preserved that beauty for posterity. I'd like to share some of the techniques that make scenic photography such a wonderful artform - simple, yet elegant. First off, equipment. As much as the cheapo disposable camera beckons, get real. These cameras have fisheye lenses which I call "spam" lenses. They cram everything in, with equal blurriness and boringness. Good photos are sharp, unless you use blur for artistic effect. Sharp comes from an adjustable lens. It can be a fixed lens or a zoom, but it must focus specially for each picture. Fixed lenses are limiting for scenic pictures, where to frame the shot you may need to move long distances. Imagine using a fixed lens on the Washington Monument, when you're half a block away! Zooms get my vote, even though they often don't have as wide an aperture, which limits their capabilities in low light situations. Practically speaking, an SLR is the absolute best. They are lightweight, and can be used with top quality lenses. Film SLRs tend to be less expensive, but have the limitations of film, meaning you have to get it developed and so forth. Digital SLRs are VERY expensive, so for the budget conscious either go with a film SLR or a high quality basic digital camera. With digital, resolution is also a critical factor, so look at the specs before you buy. OK, we've got the camera, emotions are running high, and that's great, but not too great! Sometimes I find a spot that is so wonderful, I start shooting like a madman, only to be disappointed by the pictures. What happened? Emotions. When you experience a place, there are sounds, aromas and breezes as well as the visuals of the spot. Needless to say, you can't photograph all of these elements, only the visual. When overwhelmed by the spectacle of a scenic hotspot, we are often overwhelmed by all of these elements. So what to do? Look through your camera. The viewfinder does not lie (usually). Try to see what you are looking at as the finished picture. Most people perfunctorily take pictures, hoping that somehow the shot will come out great. If you wonder how the pictures came out when you are on the way to the drug store to get them, you're doing something wrong. At the moment you click the pic, you should know exactly what you will get. (Of course with digital, that's not a trick!). Now, I was a tad dishonest in saying that you can't capture all of the elements of a scene. You can hint at them. For starters, motion. Yes, even in a still picture, there is motion. Something happened before, during and after your picture. In a mountain vista scene, you may find something that hints at motion, whether it be a branch of a tree that has been swaying in the breeze, or a river flowing through the valley below. These add a sense of motion. Then there's the "rule of thirds." When you place the main object of the picture smack-dab in the middle, it is static and boring. Place it one third of the way from either side, and you IMPLY motion. Put the horizon in a landscape photo a third of the way up or down, not across the middle. Remember, when a person looks at a picture, their eyes move. You want to frame your photo to help that movement. If you can find some lines in the scene, such as a skyline, cloud formation, path through the forest, etcetera, use it interestingly, and with the rule of thirds to draw your viewer's eyes into the picture. Avoid "summit syndrome." You get to the top of Mount Washington and shoot the majestic vista. Great. The pictures come out ... boring! How? No PERSPECTIVE. Big vistas will be flat unless you have an object in the foreground, such as a rock or a tree, to give them perspective. Then the eye really grasps how big this scene is. People enjoying the view is a real winner, because the viewer may identify with their emotions, giving the image real impact. Cheese! Yes, you do have to take the family photos. It's obligatory. But when you do, make sure that they show the LOCATION of the photo. Otherwise, you might as well do it on your driveway. Frame the scene in context, with landmarks as part of the picture. Find a way to tell as story in the picture, such as little Sara climbing up the rocks by the waterfall. Finally, any element in the picture that hints at more senses than just the visual will make it remarkable. Actor headshots for example, tell a story about the subject. You can almost hear them saying their next lines. If you photograph a garden, the viewer may experience the aroma of the flowers. A tourist street with an accordion player on the corner may have your amazed friends whistling "Dixie." In summation, picture taking on travel is recording the experience in a satisfying way. Use motion, perspective, sensory, storytelling and so forth, to bring your photos to life. Oh, and needless to say, make your job easy and go to great places! See you at the overlook! What Should You Look for in a New Camera? These parameters are discussed at 2 levels: -Based on degree of functional use of available features -Based on the type of photography you want to attempt -->Based on degree of functional use of available features A person who is happy with his or her camera model usually responds with the following words of praise. 'Incredible ease of use' 'User-friendly controls' 'Intelligently and thoughtfully designed' 'Excellent value for money' 'Light and compact' These are the kind of terms that you will come across from camera owners who are satisfied with their camera models. These superlatives sum up what people usually look for or could look for at an overall level in their camera. It is a broad evaluation based on design elements, size and affordability. Before you make a decision to purchase you should explore a little further and study the type of features available to you. Unless you make the attempt to understand the features at your disposal, there is the risk of being stuck with a model that does not suit your particular requirements. Let's take a look at what features you should look for, as well as the features that you should be wary of when you choose a camera system. -->Features to Look For 1. The lens is by far the most important device in your camera. The quality of the lens ensures the sharpness of your image. The camera lens is described by length (given in mm), known as the focal length of the lens. 50mm is the standard focal length in a lens. A lens of shorter length is known as a wide-angle lens and is used usually by landscape photographers. A lens with focal length greater than 50mm is called a telephoto lens and is especially useful to professional photographers in capturing distant images. There are also cameras with a zoom lens. A zoom lens can offer various focal lengths, so you have a lens capable of many focal lengths. Simple put, when you use a zoom lens you can make your subject bigger or smaller within the frame. For instance, a wide-angle zoom can cover a range of focal lengths below 50mm, or a telephoto zoom gives you a range of higher order focal lengths. Some superior zoom lenses can take you from wide angle to standard and through to telephoto ranges. The power of the zoom lens is defined by the extent of magnification from a lower focal length to a higher end and is given as 2x, 3x and so on. Some lens tips: --A 50mm or 100mm lens is considered adequate for most non-professional hobby users. The professionals usually go for telephoto lenses of 200mm or more. A lens with higher focal length costs a lot more. Most beginners don't need to invest in a telephoto lens. --Check if your camera is compatible with the range of lenses that the manufacturer of your model has on offer. Most manufacturers have hundreds of lens options on offer and your requirement for lenses varies as you progress in photography. Your camera has to be compatible with lenses of higher focal length and speed. If you are planning to upgrade your camera by buying another model from the same manufacturer, check for compatibility with older accessories so that you can put to use some of the lenses already available with you and save yourself an additional expense. 2. Depth-of-field preview button A depth-of-field preview button is a necessity if you want to achieve better focus. It allows you to identify the area that will be in focus in your photograph. This area is referred to as the 'depth of field'. When you adjust the focus in your camera the preview button is a useful tool that can help you vary the focus and depth of field in different shots. 3. Image sensor resolution In digital cameras, there is no film in use but this is instead replaced by a device called the image sensor. The image sensor renders colors, is sensitive to light and is the device that captures images in small pixels on its surface. Image resolution is a measure of the sharpness or level of detail in photographic images. Image resolution is expressed as a number and is measured in mega pixels. High-end professional use cameras have an image sensor resolution of around 12 mega pixels and the most advanced professional models go up to almost 14 mega pixels. At the mid range you have camera models with resolution ranging from 2 - 6 mega pixels. To deliver large format prints of superior quality, you should go for models with resolution greater than 3 mega pixels. At the lower end, you have models of 1 mega pixel or less and the sharpness of the photograph is slightly inferior compared to cameras with higher values of image sensor resolution. Lower pixel models are best suited for small format prints. 4. If you have the facility for Auto-bracketing it can be a very useful tool. Auto-bracketing enables the camera to automatically take 3 exposures or in some cameras 5 exposures of the same shot by varying the Exposure Value (EV) to lighten or darken an image. Each of the images will be slightly differently exposed and this is a great tool to ensure that you capture the moment perfectly. You can bank on at least one being a properly exposed picture. This tool comes in handy especially for professional photographers. 5. If tonal quality of the photograph is your top priority when you choose a camera then it is best that you go for a digital camera. Photographic prints of scenes captured on a digital camera have a level of tonal quality that is far superior to best quality traditional prints. 6. There are sophisticated camera models available today that can capture movement and audio-visual images. If you want to go beyond static images and capture the first steps of a child or activities during family get-togethers, then you should look for a camera with these advanced capabilities. It will create a better experience when you go down memory lane. The Kodak Easyshare LS753 Zoom Digital Camera is one such model that offers audio-visual capability. Wildlife Scouting Cameras For years I wondered how big the bucks were that were roaming our property in the dark of night. After all, I knew that monster bucks had to be eluding me during the daylight hours only to roam the woods at night. In an attempt to reveal these mysterious nocturnal monsters I purchased a scouting camera in 1996. Using Film Speed Effectively (Black & White Film Thoughts) It's hard to find sometimes but it's making a resurgence, black and white film. If you've never used this film now is the time to try it out. Here are some tips to using b&w film and what you can expect from the results. Hyperfocal Focusing: What Is It And Why Should You Use It? When should you use hyperfocal focusing? Well, sometimes when shooting a landscape, you want everything sharp from the front to the back of the scene. Setting a small aperture such as f/16, f/22 or even f/32 can help, but if you really want to maximize depth of field, hyperfocal focusing is the technique you need to use. HP Digital Cameras - History and Beyond HP has started making digital cameras only recently. However, the firm provides a one-stop-shop for all digital facilities. The company has made a large number of innovations over the years. Let us view the interesting history of this company. Disposable Underwater Cameras Disposable digital and film cameras (also called single-use cameras) provide a cheap and easy alternative for photographers. They offer an option for times when you don't want to risk your expensive equipment but you do want to take some photographs. For example, what could be a scarier combination for a photographer than an expensive piece of camera equipment and water? While professional underwater photographers (or serious hobbyists) are willing to spend a lot of money on their underwater cameras, what about the rest of us? Disposable underwater cameras offer an inexpensive alternative. After all, we may only want to take pictures one time on a snorkeling vacation. Why should we have to buy or rent a lot of expensive equipment? Birthday Party Photo Tips ? How to Make Yours Truly Stand Out How many of the birthday party pictures you've seen are kept just because they are of someone's birthday, not because it is inherently a terrific photograph? Infrared Photography and Big City Crime One of the major problems of the larger cities of the word these days is crime. It appears that the larger the city the more-acceptable serious crime seems to be. If not because to the proliferation of serious crime then because the mindset of its citizens have been conditioned to accept the serious behaviour of a minority of its inhabitants. Easy Tips for Digital Photo Touchups Using a digital camera to take pictures is great. It's easy and quick. Just as easy and quick is touching up those digital photos. Is your image too dark? Is there a glare that is affecting the picture quality? Red eyes are often another problem with using a flash. Many of these things and others can be corrected with the use of digital photo touchups. Here are some quick tips to improving your photo quality. The Arizona Desert Museum The vast beauty and richness of the desert can be easily seen in one place in Tucson, Arizona. Known as the Arizona Sonora Desert Museum ["Desert Museum"], this gorgeous and convenient site is host to a cornucopia of plants, birds and animals native to the desert. Home to more than 300 animal species and 1200 plants in natural settings, it is a photographer's paradise. Basics of Photography Understanding light is one of the very basic principles of learning to be a photographer. When you have a group of people in front of you with smiling faces ready for you to say 'cheese' or if you are taking a shot of a scenic area, the most important consideration is the light factor. Light controls the type of exposure and therefore the quality of the photo is dependent on the quality of the light on your subject and the amount of light that impacts on the film or digital sensor when you click. Controlling the amount of light is a good pre-occupation in the mind of a photographer keen to get a good shot. It should be one of the key considerations. The word 'exposure' is a very important word in the lexicon of both amateur and professional photographers and is based on the understanding of light in creating good photographs. --If there is too much light, the photo will look overly bright and over exposed. --A happy group of people will not look as vibrant if there was inadequate light when you took the picture. --Bright sunlight can create shadows under the eyes. --Poor lighting may not bring out the colors in the scene to maximum effect There are a few basics that you can apply to circumvent poor picture quality due to unfavorable light conditions: --Change the position from which you take the shot --Change the light if clicking indoors --Use the flash The use of the flash can be a boon when you operate in different light conditions. If you have an overcast sky, the flash in your camera will serve the purpose of letting some light into the image that you are trying to capture and brightening it up. The flash also works to your advantage when your subject is not too close but slightly away from you. But you have to check the 'flash range' of your camera in your manual. The flash works best when your subject is within a recommended range that is usually at least 4 ft and generally not more than 10 ft. Most simple cameras have an automatic flash. Slightly better models will have settings for fill-flash. The concept of fill flash revolves around filling light in areas of a picture that may turn out dark or shadowed. Fill-flash has the ability to balance the amount of light on different parts of a subject to ensure that the exposure is adequately bright. For instance, a portion of a person's face may appear shadowed and the fill-flash setting can help iron out this problem. The angle of light is another important consideration. You have to pay attention to the direction from which light falls on your subject and there are several approaches in manipulating the angle of light to improve the visual appeal of a picture. Sideways lighting: Light from the side is used to creates depth in the picture and is considered one of the best ways to use light if you are taking a portrait photograph. Light from the top: This is a method used to brighten up most of the scene but does not work as well when you take a photograph of a person. It tends to create shadows on the lower half of the face when the lighting is high. Light from behind your subject: This strategy is sometimes used by photographers to amplify the impact of the picture. It can create a halo like effect; it can add artistic shadows and can also create a striking contrast between the subject and the background if used effectively. When you use a 'back light' it is recommended that the fill-flash settings on your camera are also adjusted in order to avoid shadows in your photograph. The second issue in photography is the aesthetics of the picture. Aesthetics is the creativity and attention to detail that you bring to your photograph. It is the most interesting part of photography since it is almost like a visual equivalent of composing a poem or writing a story. Aesthetics requires the use of visual skills to compose and deliver a pleasing, eye-catching and captivating image. It is a type of vision that you have for your photograph in terms of look and appeal. Aesthetics requires a good eye for detail. The following factors have to borne in mind in creating an aesthetically appealing photograph: Background --Periphery --Distance from subject --Changing the direction of your camera based on picture dimensions --Objects impinging on the picture --Avoiding too many elements Each of these factors that go into aesthetics are described and explained below- -->Background The background in a photograph requires much consideration. It influences the manner in which your subject is portrayed in the photograph. Depending on your choice of background, your subject will be shown to effect or may be overshadowed. The background also makes the difference between a boring and an interesting photograph. The colors, the type of background and the context add to the vibrancy of the photo. -->Perphery A common problem among beginners in photography is not paying attention to whether the image is being captured fully. When you view your subject through the viewfinder, you may think you have clicked a person from head to shoulder or from head to toe in a full shot. But when the actual photograph is processed, the top of your subject's head or part of the hair may be missing! Or, if you did not center your subject when you composed the shot through your viewfinder, a part of the shoulder or hand may be lost into the edges of the photo. You need to concentrate when you view your subject through your camera before you click, in order to get the picture exactly the way you want it. -->Distance from Subject The distance from a subject is another critical aspect in getting a good picture. You want to see facial expression, not a mass of faces when you take a photograph. To do this, you have to be at a suitable close distance from your subject. On the other hand, when you click pictures of a campus, the distance that you click from can give you a wide view and take in a lot more of the scene. To take close up pictures of flowers or crystal or any decorative item, you have to move into close range and use suitable lenses to achieve the right magnification. -->Changing the Direction of Your Camera Based on the Picture Many a time you may not be able to capture the subject in it's entirety in the conventional horizontal position in which the camera is usually held. You can easily change the direction. Hold the camera vertically and then view your subject. You will be able to capture more of a longish subject like a tall monument, a full-length picture of a child, and so on. -->Objects Impinging on the Picture At times there are certain objects in a scene that seem to almost invade into the picture. For instance, if you take a picture of a group of your friends on a street, chances are that a street sign may gain prominence in the photograph unbidden and may seem to sprout out of the head of one of your friends in the photograph. Or the light fixtures in your living room may find a place in the picture and appear in the form an unseemly blob in your photo. And the tough part is, when you take the shot you may not be aware of this because the eye is focused on the people in the picture. -->Avoiding Too Many Elements A picture cluttered with too many objects may detract from the actual subject. For instance, a wide view of a room in which your subject is sitting may create a photo in which too many objects vie for attention. If the person in the picture is your main target then narrow down and concentrate mostly on clicking the subject. While a good background adds value to a picture, too much paraphernalia could take the attention away from the main subject. Your picture may be focused and the lighting may be good but there is so much going on in the picture that it becomes aesthetically lacking and maybe even a little jarring. Besides Light and Aesthetics, the third issue in photography basics refers to 'focusing' the picture. Getting the right focus is the difference between a blurred image and a sharp image. If you have an auto focus camera, the camera will do the job for you. This is available in most basic models. You can also achieve focus manually in other cameras using the mechanism to adjust the focus and to lock the focus on the subject before you click. To achieve the right focus, it is important to decide on the artistic elements of the final picture. There are areas of a scene that you may want sharper and clearer. For instance, when you photograph a famous monument, you may want the building as well as the blue sky against which it is silhouetted to be crystal clear. If you are photographing a camel in a desert, you might want the camel to be clear and a slightly hazy/blurred effect of the surrounding sand. If you are taking a shot of a room containing a priceless vase, when you look through your viewfinder, you want the finer details of the intricate patterns on the vase to be clearer than other objects in its vicinity. So, it's also a question of the portion or key part of your picture your focus is really on. This area that you identify for your focus is referred to as the 'depth of field'. You can lock the focus on the depth of field that you choose. You can control the focus and depth of field depending on your objectives for different shots. The basics of photography are better applied when you put into perspective the capabilities of the camera model that you use or plan to purchase. Simple point and shoot cameras require minimal knowledge in operating them. They are easy to use and have the bare minimum controls. The user has to just compose and aim the shot on the subject and presses the shutter button. 'Click' and the job is done. The camera handles its functions automatically. For those of you who want to work with a slightly more sophisticated camera, you have the option of a Single Lens Reflex camera popularly called the SLR system. This type of camera is available in both 35mm film format as well as digital format. Digital cameras have no film but the image is captured on an image sensor and stored in photo memory. Digital cameras in general provide superior picture quality. The internal system of the SLR camera is made up of angled prisms and mirrors that actually work like a lens when you click. But you have a few things to learn about this camera system before you can achieve better light exposure, sharpness and good focus. While it is imperative that you study the instruction manual of your SLR camera system thoroughly to understand the features and functioning, given here are some of the features and a brief explanation on how these features can help you in achieving the right exposure. -->Additional Lenses for Close Up Shots An additional feature in an SLR camera that makes it far superior to a simple 'point and shoot' camera is the ability to use add-on lenses. When you attempt to take a close up shot of objects in nature like a flower or a butterfly, you might want a very high level of clarity. You can add power to your camera by attaching an additional lens onto your camera lens for greater magnification of your subject. These supplementary lenses are available at reasonable prices in different powers like +2, +3 and so on. You can also look for a model with an optical zoom lens that gives you the flexibility of variable focal length and a range of lens options within a single zoom lens. -->Shutter Speed The shutter in your camera lets light in during a shot and keeps light out at other times. When the shutter opens for an exposure, light is allowed to impact on the film or image sensor. If you set a slow shutter speed, more light impacts on the sensor and affects the type of exposure. When you use a faster shutter speeds your picture is sharper and clearer. There is a maximum shutter speed that is available to you in your camera system. The shutter speed is set at a fraction of a second- for instance, 1/1000th of a second. It could also be 1/2000th or even the much-preferred higher speed of 1/4000th of a second that is available in certain models. Professional use models boast of even higher shutter speed of 1/6000th or 1/8000th of a second. If you want to freeze action such as in sports, you require fast shutter speeds. There are many more features that when used effectively can add value to the impact of your photographs. Most 35mm SLR cameras have a TTL viewfinder. TTL stands for 'through the lens' metering system. This device has the ability to measure (on a scale) the amount of light impacting the film. Using this device is the key to control the exposure and get the right amount of light in order to capture a proper image. You can also use a tripod with your SLR camera. A tripod is your answer to achieving the right exposure in a close up shot and in low light conditions. It holds the camera steady, helps in focusing and ensures a sharper picture even when shutter speed is slow. The guidelines discussed here on the basics of photography and the additional features of the SLR system, will not only get you started but also help you avoid the common mistakes that many budding photographers make. Study your manual thoroughly for insights and ideas. Learning photography requires patience and the ability to constantly experiment and teach yourself through a process of trial and error. Nude Art Photography Nude photography is the genre of art photography, whose subject is the representation of the naked (full nude) or partially naked (half nude) human body. Nikon Digital Cameras - Cool(pix) and Functional Even though Nikon entered the camera world by 1948, today its digital cameras are well known everywhere. The company started small but always dreamed big. Here is a historical review of Nikon. Is your Digital Camera Compatible With Your Computer? So you recently bought a digital camera or perhaps your thinking about it. And perhaps you may be wondering how many pictures will your computer hold? First you need to answer a few questions to come to an accurate conclusion. First, how big is your hard drive and how much free space does it currently have? You can find the answer to that question by first left-clicking on "My Computer:" Right-click on "C drive." A menu should appear. Left-click on "Properties." A pie chart should be displayed that will show you the size of the hard drive and how much of the disk drive is free. Your next step is too know how many mega pixels does your camera have? A pixel is a light sensing cell on the image pickup device. The Mysterious Powerful Element of a Picture That Sells A photo buyer calls for a picture of pigs. It could be about anything. A hundred responses go online and one lucky so-and-so gets the sale. That's 99 pictures deemed to be second, and that's no good in any race. The Primer on Digital Camera Printers Once you have clicked photos through your digital camera, then the next step is to turn these 'virtual' images into real photos. One way is to send the memory card to a digital photo laboratory and get the images developed there. But if you click digital photos on a regular basis, then it is better that you buy yourself a digital camera printer, or more commonly known as a digital photo printer.
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